Commentaries:
Jamieson, Fausset, and Brown
Therefore disputed—or, discussed.
he in the synagogue with the Jews—The sense is not, "Therefore went he to the Jews," because the Gentile Athenians were steeped in idolatry; but, "Therefore set he himself to lift up his voice to the idol city, but, as his manner was, he began with the Jews."
and with the devout persons—Gentile proselytes. After that,
in the market—the Agora, or place of public concourse.
daily with them that met with him—or "came in his way."
PAUL AT ATHENS. (Acts 17:16-34)
wholly given to idolatry—"covered with idols"; meaning the city, not the inhabitants. Petronius, a contemporary writer at Nero's court, says satirically that it was easier to find a god at Athens than a man. This "stirred the spirit" of the apostle. "The first impression which the masterpieces of man's taste for art left on the mind of St. Paul was a revolting one, since all this majesty and beauty had placed itself between man and his Creator, and bound him the faster to his gods, who were not God. Upon the first contact, therefore, which the Spirit of Christ came into with the sublimest creations of human art, the judgment of the Holy Ghost—through which they have all to pass—is set up as "the strait gate," and this must remain the correct standard for ever" [BAUMGARTEN].
Other Jamieson, Fausset, and Brown entries containing Acts 17:17:
Isaiah 14:1
1 Thessalonians 1:9
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