Topical Studies
What the Bible says about
Song as Prophecy
(From Forerunner Commentary)
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Deuteronomy 32:1-43
Moses' life was full of lessons and instruction, and at the end of his life, he left Israel and us a song that encapsulates much of what he learned about godly living. This is not apparent at first because it seems to be a prophecy of Israel's future, but Moses himself tells us in Deuteronomy 32:2 that his song concerns "doctrine" (KJV) or "teaching" (NKJV). What is the doctrine he is trying to explain to us? The doctrine of God Himself! In this song, Moses is "proclaim[ing] the name of the LORD" (see also Exodus 33:12-23; 34:1-9)! He summarizes in Deuteronomy 32:4 exactly what he means: "He is the Rock, His work is perfect; for all His ways are justice, a God of truth and without injustice; righteous and upright is He." An accurate conception of God is a Christian's first concern, for if we truly understand God, we will respond properly to Him and live in a godly manner. Moses' song breaks down into five sections: 1) Introduction (verses 1-4);
2) God's faithfulness versus Israel's faithlessness (verses 5-18);
3) God's just chastisement of Israel (verses 19-33);
4) God's eventual compassion on Israel (verses 34-42);
5) Conclusion (verse 43). From this simple summary of the song, we can see the main themes Moses is attempting to expound. First, God is always faithful, right, just, provident, and merciful in all His dealings with Israel. God Himself "found" Israel, and nurtured, protected, and instructed its people "as the apple of His eye" (verse 10). He gave them the best and "choicest" of the earth (verse 14). Second, the Israelites always forsook Him and turned to other gods, even to the point of sacrificing to demons (verses 15-18). It is the height of irony that Moses uses the term "Jeshurun" to name Israel, as it means "upright one"! Whether this means that God saw Israel in this idealistic way or this is how the Israelites saw themselves is not known, but their actions certainly show them not to be worthy of the name. Third, God's reaction to their idolatry—various deadly disasters ending in scattering (verses 23-26)—is justified by their faithlessness to the covenant (verses 19-20). Even so, God restrains His wrath, "fearing" (that is, "worried" or "concerned") that Israel's enemies would misunderstand His actions against Israel and take credit for its downfall themselves (verse 27). Moses concludes this section by saying that this happened to Israel because they failed in two areas: 1) foreseeing the consequences of their behavior, and 2) failing to understand God's character. Fourth, though God takes vengeance and inflicts punishment, He is also a God of compassion and mercy (verses 35-36). Once He sees that the remnant of Israel learns its lesson—that the gods they worshipped are nothing compared to the true God (verses 37-39)—He will pardon them so they can resume their relationship. Maybe then they will understand that what God says He will do—and does in abundance (verses 40-42)! To conclude the song, Moses brings in a New Covenant image of the Gentiles rejoicing with Israel because God is faithful to His promises and will provide atonement for His people (verse 43). As Paul shows in Romans 15:8-12, it is through the atoning work of Jesus Christ that salvation has come to both Israelite and Gentile, and they can now sing praises together as His people, spiritual Israel. After the song was sung, Moses gives Israel a final bit of advice: "Set your hearts on all the words which I testify among you today. . . . For it is not a futile thing for you, because it is your life, and by this word you shall prolong your days . . ." (Deuteronomy 32:46-47). Because of our calling, we have an even greater reason to take this advice from God's servant Moses, a psalmist.
Richard T. Ritenbaugh
Moses, Psalmist (Part 4)
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Song of Solomon 1:1
Does the Song of Songs, also called the Song of Solomon or Canticles, have any prophetic significance? This book has had many different interpretations, but few, if any, have been prophetic. Many see it as an allegory or an opera-like drama. The current trend regards the Song of Songs as simply a collection of love songs upon which religious people put spiritual meanings. Is this all it is? Would God name a book that was merely love poetry "Song of Songs"? A literal translation would be "The Best of Songs" or "The Most Sublime of Songs." So here is a book, it appears, that is more than meets the eye. Is there a prophetic level? Yes, but it is not obvious, nor would the "Christians" of this world generally accept it as such. Without the proper understanding of true church history and end-time prophecy, we would not accept it either.
Richard T. Ritenbaugh
Prophecy in Song
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Song of Solomon 1:1
Though the scenes of the book take place in an atmosphere of romantic and even sexual encounters, this is only the first and most obvious level of understanding. On other levels, Jewish rabbis allegorize God and Israel from its poetry, and Christians see Christ and His Bride, the church. As an instruction manual regarding the intimacy of the relationship between God and the Christian, the Song of Songs is without peer. Any understanding of the Song of Songs, however, must begin with the book's characters. A young woman, a shepherdess, called the Shulamite in some Bible versions, has fallen in love with a man, whom she calls "my beloved." Some think this man is Solomon, a king; others say he is a shepherd. Some go so far as to say there are two men vying for the Shulamite's affections. In addition, the daughters of Jerusalem act as a chorus, commenting on and reacting to the words of the Shulamite. Her brothers may also have a few lines (Song 2:15; 8:8-9). In Christian circles, the Shulamite and the Beloved are easily identified as types of the church and Christ. The daughters of Jerusalem and the Shulamite's brothers are harder to pinpoint as specific groups of people, but we can deduce a general identification from Song of Songs 2:2-3: [The Beloved]
Like a lily among thorns,
So is my love among the
daughters. [The Shulamite]
Like an apple tree among the
trees of the woods,
So is my beloved among the
sons. In contrast to the Shulamite, the "daughters" are compared to "thorns." The Beloved is similarly contrasted with the "sons" (see Song 1:6), who are like "the trees of the woods." Thorns are obviously negative symbols (see Matthew 13:7, 22), but "the trees of the woods" does not seem to be. A better translation would be "the wild wood," and thus, it becomes another negative type. Thus, the daughters and the sons are opposites to the main characters. If the Shulamite is a type of the true church, the daughters are false "Christian" churches that Christ will not even consider as suitable brides (see Song 6:8-9; Ezekiel 16:44-46; Revelation 17:5). Some think they are simply the unconverted. If the Beloved is a type of Christ, the Good Shepherd (John 10:1-16), the sons are false shepherds or hirelings, who abuse the church (see Song 1:6; Ezekiel 34; Acts 20:28-31). Some believe they stand for the leaders or governments of men. Remember, though, these are general interpretations, so we should check the context of each section to refine the meaning. It is not necessary to assign a particular identity to every character, image, or symbol in the book. Because of our unfamiliarity with the language and setting of the Song of Songs, this would be highly speculative and tedious. Generally, if we grasp the sense of a section, the symbolism falls into place on its own, or other scriptures explain it more plainly.
Richard T. Ritenbaugh
Prophecy in Song
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Song of Solomon 1:1
We do not know for sure if the book is arranged chronologically or just in short, timeless vignettes. Some say that certain sections are dreams or flashbacks to previous scenes. However, a basic story can be seen in the flow of the text. Song of Songs opens with the Shulamite in the blush of first love; it is so new to her that she must ask where her Beloved works (Song 1:7). The couple is separated, and each yearns to be reunited. The Beloved asks her to come away with him (Song 2:10), and the Shulamite seeks and finds him in the city (Song 3:2-4). Later, again separated, she looks for him again, only to be beaten by the city watchmen (Song 5:6-7). In the end, after praising each other's beauty and constancy, they are together again, and the Shulamite proclaims that "love is as strong as death" (Song 8:6). However we arrange the various parts, the main story concerns the courtship of the Shulamite and the Beloved. In most of the book's verses, they vividly praise the other's excellence and express their deepest feelings. This human sexual imagery, rather than being erotic, simply pictures the depth of love and pleasure in a Christian's relationship with God. In a sense, the sexual union of man and wife is the closest human parallel to God's relationship with us. Jesus Himself endorses this concept in John 17:3, "And this is eternal life, that they may know You, the only true God, and Jesus Christ whom You have sent." This knowledge of God is intimate, similar to the relationship between a man and his wife (see Genesis 4:1; Luke 1:34). The apostle Paul calls the church's relationship with Christ, likened to a marriage partnership, "a great mystery" (Ephesians 5:32). Later, John is shown that the church is indeed the Bride of Christ (Revelation 19:7-9).
Richard T. Ritenbaugh
Prophecy in Song
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